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Reseña del editor The first book-length study of this influential artist's work, focusing on the participatory role of the human subject rather than the art object. Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it. In Situation Aesthetics, Kirsi Peltomaki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional representatives (including gallery directors, curators, and other museum staff members). Drawing on art criticism, the reports of viewers and participants in Asher's projects, and the artist's own archives, Peltomaki offers a comprehensive account of Asher's work over the past four decades. Because of the intensely site-specific nature of this work, as well as the artist's refusal to reconstruct past works or mount retrospectives, many of the projects Peltomaki discusses are described here for the first time. By emphasizing the social and psychological sites of art rather than the production of autonomous art objects, Peltomaki argues, Asher constructs experientially complex situations that profoundly affect those who encounter them, bringing about both personal and institutional transformation. Biografía del autor Kirsi Peltomaki is Associate Professor of Art History at Oregon State University and the author of Situation Aesthetics: The Work of Michael Asher (MIT Press).

Situation aesthetics the work of michael asher the mit situation aesthetics the work of michael asher the mit press peltomäki kirsi on free shipping on qualifying offers situation aesthetics the work of michael asher the mit press

Michael asher theartists the work of michael asher arises from the belief that no individual art object has a universal meaning independent of its institutional context asher and other prominent conceptual artists who emerged in the 1970s believe that the spaces and practices of the museum or galleryits methods of interpretingpublicizing and displaying works of art condition how we understand the art that is

Situation aesthetics the work of michael asher livros compre o livro situation aesthetics the work of michael asher na br confira as ofertas para livros em inglês e importados

Situation aesthetics the work of michael asher situation aesthetics the work of michael asher è un libro di peltomäki kirsi edito da mit press a marzo 2010 ean 9780262013680 puoi acquistarlo sul sito hoepli la grande libreria online

Michael asher casa del libro mejores libros ebooks o novelas del escritor michael asher con su biografía y bibliografía podrás ver y comprar sus nuevos y últimos libros novedades packs especiales descargar su libro digital en pdf o epub obras y sagas del autor

Michael asher artist wikipedia michael max asher july 15 1943 october 15 2012 was a conceptual artist described by the new york times as among the patron saints of the conceptual art phylum known as institutional critique an often esoteric dissection of the assumptions that govern how we perceive art rather than designing new art objects asher typically altered the existing environment by repositioning or

The mit press mit press began publishing journals in 1970 with the first volumes of linguistic inquiry and the journal of interdisciplinary historytoday we publish over 30 titles in the arts and humanities social sciences and science and technology